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Literature & Authors · 1824–1889 · London, England

Wilkie Collins

1824–1889

Wilkie Collins
Elliott & Fry, public domain, via Wikimedia Commons
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William Wilkie Collins was Charles Dickens's closest literary friend, and the two wrote and traveled together for decades. But Collins's own claim to fame was a genre he practically invented: the sensation novel — domestic fiction laced with crime, bigamy, stolen identities and shocking revelations.

The Woman in White (1859–60), serialized in Dickens's magazine All the Year Round, was a publishing phenomenon; its villain Count Fosco remains one of fiction's great rogues. Then came The Moonstone (1868), a stolen-Indian-diamond mystery told by multiple narrators — the work T. S. Eliot called "the first, the longest, and the best of modern English detective novels."

Collins lived as dramatically as his plots: he kept two households with two women simultaneously, dosed himself with laudanum for rheumatic gout, and wrote parts of The Moonstone under its influence. Detective fiction — the suspects, the clues, the least-likely culprit — begins with him.

Frequently asked

What is The Moonstone about?

The Moonstone (1868) is a stolen-diamond mystery — an Indian gem plundered during the Siege of Seringapatam vanishes at an English country house, and the case is told by multiple narrators, including Sergeant Cuff, one of fiction's first detectives.

Was The Moonstone really the first detective novel?

T. S. Eliot called it "the first, the longest, and the best of modern English detective novels" in his 1927 essay on Collins. It established the template: the suspects, the fair-play clues, the red herrings and the least-likely culprit.

What was Wilkie Collins's relationship with Dickens?

Collins was Charles Dickens's closest literary friend — they wrote, traveled and staged plays together for decades, and Dickens serialized The Woman in White in his magazine All the Year Round.

Why it matters today

Every whodunit, psychological thriller and true-crime binge owes Collins: he built the machinery of detective fiction — the investigator, the evidence, the surprise solution — before Conan Doyle ever wrote a word.

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